Starting from the study of Ugo La Pietra’s La Casa Telamatica (The Domicile Cell: A Microstructure: within the Information and Communications Systems, 1971) first presented in MOMA’s New York 1972 exhibition “Italy: The new domestic landscape“, this projective-research discusses contemporary domesticity in the light of advances in information and communication technologies.

Debated with other paradigmatic cases in radical architecture and conceptual art from the second half of the twentieth century, like Hans Hollein, Frederick Kiesler and Walter Pichler; and contemporary ideas on media by authors like Marshall Mcluhan and Gilles Deleuze, new ways of living and domestic relations are proposed according to the changing lifestyles enabled by new technologies.